Two friends reflect on Langhorne Slim and the Law’s concert, and their message of love.
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In Peter Heller's Celine, the American West creates the perfect landscape within which memory and family can be both lost and found.
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Sage Marshall realizes the limits of empathy and the downfalls of masculine pride while watching The Salesman.
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Shelby Elsbree, a former professional ballerina, reflects on Wendy Whelan and life after dance.
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One man investigates idealized masculinity within Kong: Skull Island.
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Amanda Miller reflects on her appreciation for orchids after attending The New York Botanical Garden's annual Orchid Show.
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Ali Arminio rediscovers her love of filmmaking by watching Sing Street.
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Linne Halpern explores Chimamanda Ngozi Adichie’s newest book and her own femininity.
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Sage Marshall comments on the emotional power of The White Helmets.
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Amelia Spittal, a sociology major, offers her take on La La Land just before the airing of The Oscars.
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Sage Marshall reacts to the “jokes” within Jen George’s first short story collection.
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Sage Marshall reacts to Matthew Desmond's investigation of housing exploitation in urban America.
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Alex Minton reviews a musical about compassion in a time when "likes" are social capital.
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Sage Marshall explores the gentle irony of Fritz’s most recent country album.
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Maile McCann considers the contrast between fiction and reality as she reviews this musical film.
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Linne Halpern reviews Springsteen's memoir Born To Run (2016).
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Sage Marshall reviews a book about a man and his sheep that he read during Trump's election.
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