After Ocean Vuong’s visit to Wesleyan, Sage Marshall interprets his work with a poem of his own.
Read MoreIn Jeannette Haien’s novel The All of It (1986), love cures all.
Read MoreThree young writers share the differences and commonalities in their viewing of this Oscar-nominated film.
Read MoreVisual artist Maura Allen discusses the West, her artistic “reverberations,” and the intersections of business and art.
Read MoreA student contemplates the concept of home while watching Kyle Abraham's dancers in "Dearest Home".
Read MoreTwo friends reflect on Langhorne Slim and the Law’s concert, and their message of love.
Read MoreAni on what drew him to the outdoors, why he started making films, and his upcoming project.
Read MoreA moving tribute to Denis Johnson's (1949-2017) prose through one reader's changing perceptions of his work.
Read MoreWe talked about what it means to be a critic, a whole slew of movies and books, and The Boss.
Read MoreIn Peter Heller's Celine, the American West creates the perfect landscape within which memory and family can be both lost and found.
Read MoreSage Marshall comments on the emotional power of The White Helmets.
Read MoreSage Marshall reacts to the “jokes” within Jen George’s first short story collection.
Read MoreSage Marshall reacts to Matthew Desmond's investigation of housing exploitation in urban America.
Read MoreSage Marshall ponders his endearment with the familiar in The Office.
Read MoreSage Marshall explores the gentle irony of Fritz’s most recent country album.
Read MoreSage Marshall reviews a book about a man and his sheep that he read during Trump's election.
Read More